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Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Look What I Found - A Tourist by OTTO RAPP
Decalcomania 2019-05-21 by OTTO RAPP
LADY Z - charcoal underdrawing by OTTO RAPP
GUARDIAN OF PANDEMONIUM by OTTO RAPP
PORTRAIT OF YOUNG BOGOMIL by OTTO RAPP
White Meat and Bones Tiara by OTTO RAPP
DECALCOMANIAC ERUPTION by OTTO RAPP
EROS THANATOS II by OTTO RAPP
The Surrogate Mother-Goddess of Wisdom by OTTO RAPP
Shepherd of the Sphinx by OTTO RAPP
THE VISITOR by OTTO RAPP
VINDOBONA ALTARPIECE III - SNAKES AND LADDERS by OTTO RAPP
FOMORII INTERIOR II by OTTO RAPP
THE BEAST OF BABYLON by OTTO RAPP
The Beast of Babylon by OTTO RAPP
DAS UNERNSTLICH SCHWEIGENDE AUGE by OTTO RAPP
Ouroboros Perpetual Motion Machine by OTTO RAPP
Pablos Last Concert by OTTO RAPP
THE ERRATIC GATHERING OF UNDISCIPLINED BIOMORPHIC OBJECTS by OTTO RAPP
Jabberwocky by OTTO RAPP
Selfportrait With The Critical Eye by OTTO RAPP
Christan Portrait by OTTO RAPP
MONUMENT TO THE UNBORN WAR HERO by OTTO RAPP
TRIPPING THROUGH BOGOMILS MIND by OTTO RAPP
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About OTTO RAPP
Born in 1944 in Felixdorf, Lower Austria, I lived and was educated in Vienna, where later I worked as a clerk in the Transport and Insurance Business. After completing service in the Austrian Air Force, I traveled throughout Europe, eventually settling in Stockholm, Sweden.
As a Painter I was initially self taught, studying in the various Galleries and Museums. In Vienna, I was often hanging out at the Akademie der Bildenden Kuenste, where I admired the work of the Wiener Schule des Phantastischen Realismus represented there by the Professors Ernst Fuchs, Rudolf Hausner and Arik Brauer.
In Stockholm, I found out that I was washing dishes in the very same Restaurant where years earlier another Viennese Artist, Fritz Hundertwasser had worked the same job. Encouraged by an art dealer in Gamla Stan, I began to paint more seriously. Busking on the streets of Gamla Stan with a Dutch artist, my very first painting was sold to a passer-by by my artist friend while I stood in the employment office line - this paid for a lavish meal for both of us that day.
Traveling around in 1968, I wound up in Western Canada where eventually I settled in Lethbridge, Alberta, the place I still call home today. It was in Canada where the majority of my mature work was produced (under the sponsorship of a small Lethbridge Gallery).
Working for the Canadian Pacific Railway, I quit in 1977 to attend the Bachelor of Fine Arts Program at the University of Lethbridge, graduating (with great distinction) in 1982.
In Canada, I participated in many exhibitions, and held several Solo Shows, culminating in the pivotal 1994 showing at The Prairie Art Gallery in Grande Prairie, Alberta, which earned me the moniker The Mystic.
Throughout my years in Canada, I had been the subject of many reviews and newspaper articles as well as local television shows in Calgary and Lethbridge while being active as an artist, art instructor, curator, studio technician, art critic and juror.
I am also the founder of the VISIONARY ART NETWORK, a private network of some of the best Visionary Artists globally. The public arm of our network is the VISIONARY ART GALLERY - visit and enjoy perusing hundreds of the greatest Artists around; some of them are also on FAA, and their stores are linked to our VISIONARY ART EMPORIUM:
Since 2011 I split my time between Canada and Austria, where I had a studio in Vienna at the Palais Palffy until Summer 2014 and Ernst Fuchs had his downtown studio. The Phantasten Museum Wien is located in that building. Since Fall of 2013, this is also the location for the Vienna Academy of Visionary Art.
In January 2015 I moved my studio to the Kunstquartier Wien in Meidling, where 80 artists are sharing a 4 storey building.
ABOUT MY WORK
"These are universal archetypes that may be found deep inside our collective unconscious.
While seemingly extraterrestrial and alien, they are also strangely familiar. l I take the viewer
into an area that they might have been before in another existence or have have entered in
their dreams. It is a 'method in this madness' but everything arises by elimination of
conscious guidance. The work grows seemingly by itself, like frost flowers on a windowpane. "